FOOTWORK
By John Townsend
Shooting Instructor
Johntownsend@lvcm.com
The proper form for shooting a basketball all starts with
your footwork. Shooting a jump shot on the move, either off of the dribble or
the pass, a player is going to want to come into the shot with a “heel / toe”.
“Heel / toe” simply means planting the pivoting heel first followed by the toe.
It is very important to get the pivoting foot started toward the basket while
the player is receiving the pass, or while the ball is in the air. The
shooting foot is then planted and the player jumps up to shoot. The feet are
placed shoulder width apart with the shooting foot even or slightly ahead
pointing toward the basket. Players do not want to have their shooting foot
too far forward, too far back, or too wide.
Most coaches teach players to always plant their inside foot. This is how most players naturally pivot. It
is also the best way to teach younger players. However, in certain situations,
some players might naturally pivot on their outside foot. Usually players of
better ability have a tendency to do this. Outside pivot foot first, if done
properly, can be quicker, more comfortable and have better results than
shooting on the inside pivot foot. If a player is successful with the outside
pivot foot, coaches should allow them to continue.
Most good shooters come into their jump shot off of the
move with a “1 – 2 stop.” Very few people shoot well coming into a shot with a
“jump stop.” The only time a “jump stop” is recommended is when a player is
using a power move close to the basket. Coming into the jump shot with a “1 –
2” using the “heel/toe” is the most successful footwork. As soon as the
shooting foot hits, a player should jump up and shoot. It is very important to
note that the basketball should not be lifted up to shoot until after the
second foot in the “1– 2” hits the floor.
Shooting a stationary jump shot also requires proper footwork. When shooting a stationary jumper a player
should keep their shooting shoulder open to the basket. The player needs to
overemphasize putting the shooting foot down. As soon as the shooting foot
hits, that is when the jump shot begins. A quote that is commonly used to help
players wait on their shooting foot before lifting the basketball into their
jump shot is: “Wait for the foot to hit and then pop up and shoot.” Sometimes
just saying: “Pop up and shoot” gets the player to jump on their stationary
jump shot. Waiting on the shooting foot to hit as well as emphasizing the
“popping up” helps players to maintain the same rhythm throughout their jump
shot.
Some players are more comfortable shooting on the move than what they are shooting stationary jump
shots. It is harder to maintain a rhythm when shooting a stationary jump
shot. If you find that a player is struggling shooting a stationary jumper
have them do a quick little “1– 2” hop while the ball is in the air. It is
important that this is done while the basketball is in the air. “The ball is
in the air, your feet are in the air” is a commonly used quote to help players
with this. It also eliminates them shooting a stationary jump shot and gives
them the rhythm they need to shoot.
A very common mistake shooters make with footwork is when they are going in the opposite direction of
their shooting hand. For example, it is common for a right -handed shooter
going left to fade away from the basket. This is because of their footwork.
The player needs to make sure to “bring their shooting foot all the way
around.” By bringing their outside foot all the way around so it is even, or
slightly behind their pivot foot, they will automatically square to the basket
and eliminate the fade.
Some good shooting expressions that are useful when working with a player on their shooting for
footwork purposes are:
“Come into the shot with a 1 – 2.”
“The ball is in the air, your feet are in the air.”
“As soon as the shooting foot hits, POP up and shoot.”
“Bring your outside foot all the way around.”
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